Empathy is hard—especially, sad to say, when you are fucking someone and it's not going quite so well as you'd planned. If you add in the whole gender thing, it gets even harder. Boys and girls in America have such a sad time together. They do. And then they call each other bitches and cunts and dumb motherfuckers, assholes and alcoholics and overprivileged Ivy League elitist shits, failed writers, failed people, people with daddy issues and mommy issues and control issues and abandonment issues, just Issues, horrible Issues, Issues that cannot be forgiven; they accuse each other of crimes against God and nature and political engagement; they accuse each other of being just like their mothers (never satisfied) and their fathers (2 bold). And some of them have recording careers, so they take it public. Is that so wrong?My favorite paragraph from this excellent piece.
I know the basics about Rivers Cuomo--the Japanese girl fetish, the weird sex obsessions, his pathetic emo songs. I never was a fan, purely because I didn't like the music. Some of the stuff here is old, some of it is new, a lot just hasn't been posted in this fashion or in such a high-profile (to some) way. But her points are substantial. The essay does speak to a very specific period/demographic. If I had been older, or a different girl, I might have related to it more.
Very well-written article. My favorite of Sady's. (And she links to Emily Gould! Automatic plus.)
We need more criticism like this, more female-specific criticism. I'd like to be the female Chuck Klosterman (I don't even want the idea of female version to be included here, even though music/pop culture critics desperately need some women in their ranks), but Sady Doyle is on her way.
2 comments:
I also loved this paragraph! There were so many good ones for me to choose from when I did my post. She's awesome.
I freakin' love Sady Doyle, and this piece specifically.
It, frankly, made me really happy my mother always chose to eschew my Weezer cd wants on all those Christmas lists. Who knew I'd be sitting here, happily listening to Norah Jones? (Well, I'm actually on a Bright Eyes kick, but the point still holds.)
I think what made this paragraph one of the real winners of a winning piece is the casual dropping of the Prince reference.
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